Oil Paintings

Recent...Prompted by... the knowledge of God as experienced through the feet, as well as thoughts on Hybridity

 

 

untitled4.jpg (33542 bytes) Early Celestial Reasoning #1, 9x12", oil on panel, $150.00 

  baroque_Tendencies_.jpg (173602 bytes) Baroque Tendencies, 36 x48, oil on canvas, $4,200.00   

object_1b.jpg (67074 bytes) "Object 1B", 2005, oil on panel, 36x36", Property of Scott and Lisa Herndon

Joan_of_Arc.jpg (167350 bytes) "Joan of Arc", 48x 60", oil on canvas, $3,800.00 Joan_of_Arc_closeup_2.jpg (371836 bytes) "Joan of Arc" (close ups) Joan_of_Arc_closeup_1.jpg (336163 bytes)  

 

p4150004.JPG (195461 bytes) "Your Peace, 1,4,5", 3'x5', oil on canvas    leo_leo_leo.jpg (441055 bytes) "Leo Leo Leo" 30x60", oil on canvas, Property of Amy Couch cloud1jpeg.jpg (22693 bytes) "Object 1A", 2003, Oil on Canvas, 30x30", collection unknown Untitled67.jpg (34704 bytes) Early Celestial Reasoning #2,Property of Rebekah Belanger

“Meaningfullessfullness”

Painting, meaning, when I make a painting (quite often of “something” as opposed to “nothing”) there are always three parts of a relationship to consider; me (the painter, the looker), the paint (canvas, wood, oils, whatever went into making the thing), and whatever the thing is that the painting is of. This relationship is what painting is about.

There is a fourth thing, that is the looking, the viewer that completes the painting.

If I knew, really knew, what art is I would not have to paint these things. I would be done. I could get a job doing something with quantitative value. Each time I paint I hope I am making something new. I try to know less, look more at what I think I know. Each painting teaches me. The art is in the learning, the discovery, stepping into new experiences, and there is never any certainty of the result, ultimately. Sure I could paint similar images twice, but the sum of the relationships and their differences (however slight) are always new.

Painting is an intensely personal process. It may touch on other issues (politics, sex, society, gender, race, etc.) but it is always about exploring, testing the hope that there is a relationship between what is “out there“, and what is “in here“. Sometimes I get the paintings right (this is more a feeling than a cognitive judgment), sometimes I have to accept the unacceptable painting as being right also.

January of 2005

Images from the show at the Arts Center "Name, Mine", Saint Petersburg, 2005

 

   "Divining the Shadows #1"

divining the shadows #2

    divining the shadows #3

divining the shadows #4

  "Tibetan Grass", 36x48", 2,290.00  

"This Walk", 27x39", 1,390.00

Quarai, Property Roy Gager

 

 

 

 Roger's Thesaurus, Property of Roger and Pamela Sullins        

Birds

    

 

 

 

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